Noli Me Tangere: Creativity and Adaption in Depicting Mary Magdalene’s Mourning in Post-Reformation England
Sixteenth-century theologians in their efforts to reform English religion sought to divest religion not only of its extrabiblical female saints but also its biblical female saints of their legends and their passionate expressions of sorrow. Reformers focused on deconstructing the popular weeping com...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2024
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| In: |
Church history and religious culture
Year: 2024, Volume: 104, Issue: 1, Pages: 1-20 |
| Further subjects: | B
Paul’s Cross
B Saints B Reformation B Mary Magdalene B Sermons |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | Sixteenth-century theologians in their efforts to reform English religion sought to divest religion not only of its extrabiblical female saints but also its biblical female saints of their legends and their passionate expressions of sorrow. Reformers focused on deconstructing the popular weeping composite Mary Magdalene, yet their efforts were only partially successful. Thomas Walkington’s 1620 sermon, Rabboni, reveals that Protestant preachers were willing to diverge from the biblical account and use their imagination in sermons to appeal to their audience’s emotions. Rabboni demonstrates continued knowledge and leakage of Pre-Reformation extrabiblical legends into Protestant thought. The location of the sermon and the reception history of Pseudo-Origen’s De Maria Magdalena suggest why the medieval image of Mary Magdalene proved so indestructible. |
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| ISSN: | 1871-2428 |
| Contains: | Enthalten in: Church history and religious culture
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| Persistent identifiers: | DOI: 10.1163/18712428-bja10061 |