Visualizing Buddhism Today: The Works of Jeong Hwa Choi, Kimsooja, and Do Ho Suh

Since Buddhism appeared around the fifth century BCE, it has established itself as a discipline that gives philosophical teachings to many people beyond religion. After the twentieth century, Buddhism has gone beyond being a representative ideology of the East and continues to be a social and cultur...

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Détails bibliographiques
Auteur principal: Kim, Mina (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publié: 2023
Dans: Religion and the arts
Année: 2023, Volume: 27, Numéro: 5, Pages: 613-644
Sujets non-standardisés:B Do Ho Suh
B Buddhism
B Kimsooja
B Jeong Hwa Choi
B contemporary Korean art
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Description
Résumé:Since Buddhism appeared around the fifth century BCE, it has established itself as a discipline that gives philosophical teachings to many people beyond religion. After the twentieth century, Buddhism has gone beyond being a representative ideology of the East and continues to be a social and cultural inspiration for many people worldwide. By focusing on the artworks of three Korean artists, Jeong Hwa Choi, Kimsooja, and Do Ho Suh, this study explores in detail how Buddhism inspires artists to visualize self-reflection and transnational identity and how traditional Buddhism contributes to the universalization, conceptualization, and communication of contemporary art. It also discusses how Buddhism is being reinterpreted and visualized by contemporary artists today, becoming a work of art for the public, not art for the few. Their artworks, inspired by Buddhism, show how contemporary art shows humanist, participatory, empathic, diverse, and global aspects and conveys multilayered messages.
ISSN:1568-5292
Contient:Enthalten in: Religion and the arts
Persistent identifiers:DOI: 10.1163/15685292-02705002