"Irret euch nicht, Gott lässt sich nicht spotten!": Gericht und Gnade im Werk des Kreuzkantors Rudolf Mauersberger
Due to the (internal and external) destruction of the Second World War, the sacred work of the Kreuzkantor and director of the Dresden Kreuzchor Rudolf Mauersberger experienced a conceptual sharpening, textual intensification and Christian internalization. Human failure is placed in the context of G...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | German |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
De Gruyter
2023
|
| In: |
Evangelische Theologie
Year: 2023, Volume: 83, Issue: 5, Pages: 369-379 |
| Standardized Subjects / Keyword chains: | B
Mauersberger, Rudolf 1889-1971
/ Idea of God
/ Judgment of God
|
| IxTheo Classification: | KAJ Church history 1914-; recent history KBB German language area KDD Protestant Church NBC Doctrine of God RD Hymnology |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a Due to the (internal and external) destruction of the Second World War, the sacred work of the Kreuzkantor and director of the Dresden Kreuzchor Rudolf Mauersberger experienced a conceptual sharpening, textual intensification and Christian internalization. Human failure is placed in the context of God's judgment and love and, based on the "Dresdner Te Deum" (1944/45), the mourning hymn "Wie liegt die Stadt so wüst" (1945), the "Dresdner Requiem" (1947/48) and the "Motette vom Frieden" (1953) on a large and small scale. | ||
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