Aesthetics of recognition in contemporary religious art

This paper presents the aesthetics of recognition as the most appropriate approach for discerning the religious potentiality (of a Christian nature) in a significant part of contemporary art. To do so, it is necessary to understand the mechanisms, functions, and forms of recognition, to distinguish...

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Autori: Gómez-Ferrer, Guillermo (Autore) ; Martín Lloris, Catalina (Autore)
Tipo di documento: Elettronico Articolo
Lingua:Inglese
Verificare la disponibilità: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Pubblicazione: 2023
In: Church, Communication and Culture
Anno: 2023, Volume: 8, Fascicolo: 2, Pagine: 227-247
Notazioni IxTheo:CD Cristianesimo; cultura
CE Arte cristiana
KAA Chiesa; storia
KDB Chiesa cattolica
Altre parole chiave:B Beauty
B Contemporary Art
B religious art
B Aesthetics
B Recognition
B sacred art
Accesso online: Volltext (kostenfrei)
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Riepilogo:This paper presents the aesthetics of recognition as the most appropriate approach for discerning the religious potentiality (of a Christian nature) in a significant part of contemporary art. To do so, it is necessary to understand the mechanisms, functions, and forms of recognition, to distinguish between profane, sacred, and religious art, to critically analyze the aesthetic model of the Catholic Church rooted in the concept of Neoplatonic beauty, and to propose an alternative procedure. The alternative procedure serves two purposes: first, to reveal the religious aspect of a substantial segment of contemporary culture that has been largely overlooked; and second, to prevent the confusion that arises from the inclusion of religious works in churches and liturgies, giving the impression that they are sacred. Such confusion is widespread and detrimental to the sacramental experience of faith.
ISSN:2375-3242
Comprende:Enthalten in: Church, Communication and Culture
Persistent identifiers:DOI: 10.1080/23753234.2023.2248191