Nazi Germany in the Viewfinder: On Space and Movement in German-Jewish Youth Culture
This article analyzes instances of independent mobility of Jewish youngsters in Nazi Germany through the lens of photography. Photographs, taken by teenagers of their trips and sometimes assembled in albums or collages demonstrate that the category of mobility helps to uncover and define a particula...
| Subtitles: | "Special Section: Language, Translation, and Cultural Transfer in the German-Jewish Experience" |
|---|---|
| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
De Gruyter
2022
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| In: |
Naharaim
Year: 2022, Volume: 16, Issue: 2, Pages: 203-227 |
| Further subjects: | B
Photography
B Mobility B Nazi Germany B German-Jewish History B youth culture |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a This article analyzes instances of independent mobility of Jewish youngsters in Nazi Germany through the lens of photography. Photographs, taken by teenagers of their trips and sometimes assembled in albums or collages demonstrate that the category of mobility helps to uncover and define a particular kind of agency exclusive to Jewish youth, shaped by the simultaneous attachment to and disconnect from the environments they crossed. Travel is observed as a space in which freedom and restrictions were negotiated, preparing youngsters for a near future of sometimes radically independent choices. Moreover, it is investigated in its capacity of offering instances of contact - planned or spontaneous - with other youth, with Jewish adults or with Germans, which additionally shaped the youngers' identities on the move. Photography not only helped youngsters to produce records and memories. It also incited new trips and encounters. The camera, then, served as a means of translation which helped Jewish teenagers make sense of their surroundings in a moment of utmost crisis. Ultimately, the photographs attest to an alternative German topography created by independent youngsters who found a home in a cosmopolitan way of life tested on provincial roads. | ||
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