Nazi Germany in the Viewfinder: On Space and Movement in German-Jewish Youth Culture

This article analyzes instances of independent mobility of Jewish youngsters in Nazi Germany through the lens of photography. Photographs, taken by teenagers of their trips and sometimes assembled in albums or collages demonstrate that the category of mobility helps to uncover and define a particula...

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Altri titoli:"Special Section: Language, Translation, and Cultural Transfer in the German-Jewish Experience"
Autore principale: Grossmann, Rebekka (Autore)
Tipo di documento: Elettronico Articolo
Lingua:Inglese
Verificare la disponibilità: HBZ Gateway
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Pubblicazione: 2022
In: Naharaim
Anno: 2022, Volume: 16, Fascicolo: 2, Pagine: 203-227
Altre parole chiave:B Photography
B Mobility
B Nazi Germany
B German-Jewish History
B youth culture
Accesso online: Volltext (lizenzpflichtig)
Volltext (lizenzpflichtig)
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Riepilogo:This article analyzes instances of independent mobility of Jewish youngsters in Nazi Germany through the lens of photography. Photographs, taken by teenagers of their trips and sometimes assembled in albums or collages demonstrate that the category of mobility helps to uncover and define a particular kind of agency exclusive to Jewish youth, shaped by the simultaneous attachment to and disconnect from the environments they crossed. Travel is observed as a space in which freedom and restrictions were negotiated, preparing youngsters for a near future of sometimes radically independent choices. Moreover, it is investigated in its capacity of offering instances of contact - planned or spontaneous - with other youth, with Jewish adults or with Germans, which additionally shaped the youngers' identities on the move. Photography not only helped youngsters to produce records and memories. It also incited new trips and encounters. The camera, then, served as a means of translation which helped Jewish teenagers make sense of their surroundings in a moment of utmost crisis. Ultimately, the photographs attest to an alternative German topography created by independent youngsters who found a home in a cosmopolitan way of life tested on provincial roads.
ISSN:1862-9156
Comprende:Enthalten in: Naharaim
Persistent identifiers:DOI: 10.1515/naha-2022-0009