Al-Fārābī’s Conception of Music Theory as the Universal Science of Melody
Al-Fārābī conceived of music theory as a universal science of melody whose task is to determine the whole range of what is musically possible. It does not restrict itself to codifying the conventions of any particular musical idiom. In this, it is akin to logic – the universal science of all things...
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| 格式: | 電子 Article |
| 語言: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | 載入...
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| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| 出版: |
2023
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| In: |
Oriens
Year: 2023, 卷: 51, 發布: 1/2, Pages: 104-126 |
| Further subjects: | B
Al-Fārābī
B Ptolemy B Grammar B Logic B Music Theory |
| 在線閱讀: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| 總結: | Al-Fārābī conceived of music theory as a universal science of melody whose task is to determine the whole range of what is musically possible. It does not restrict itself to codifying the conventions of any particular musical idiom. In this, it is akin to logic – the universal science of all things thinkable, which does not reduce to the grammar of any given natural language. |
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| ISSN: | 1877-8372 |
| Contains: | Enthalten in: Oriens
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| Persistent identifiers: | DOI: 10.1163/18778372-12340023 |