Al-Fārābī’s Conception of Music Theory as the Universal Science of Melody
Al-Fārābī conceived of music theory as a universal science of melody whose task is to determine the whole range of what is musically possible. It does not restrict itself to codifying the conventions of any particular musical idiom. In this, it is akin to logic – the universal science of all things...
| Κύριος συγγραφέας: | |
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| Τύπος μέσου: | Ηλεκτρονική πηγή Άρθρο |
| Γλώσσα: | Αγγλικά |
| Έλεγχος διαθεσιμότητας: | HBZ Gateway |
| Journals Online & Print: | Φόρτωση...
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| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Έκδοση: |
2023
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| Στο/Στη: |
Oriens
Έτος: 2023, Τόμος: 51, Τεύχος: 1/2, Σελίδες: 104-126 |
| Άλλες λέξεις-κλειδιά: | B
Al-Fārābī
B Ptolemy B Grammar B Logic B Music Theory |
| Διαθέσιμο Online: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Σύνοψη: | Al-Fārābī conceived of music theory as a universal science of melody whose task is to determine the whole range of what is musically possible. It does not restrict itself to codifying the conventions of any particular musical idiom. In this, it is akin to logic – the universal science of all things thinkable, which does not reduce to the grammar of any given natural language. |
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| ISSN: | 1877-8372 |
| Περιλαμβάνει: | Enthalten in: Oriens
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| Persistent identifiers: | DOI: 10.1163/18778372-12340023 |