"Z nieludzką rozkoszą zanurzam się w muzykę": kilka słów o Gombrowiczowskiej ambiwalencji
The article concerns an interpretation of Witold Gombrowicz’s work in the context of "aesthetoteism", a kind of para-religion, especially those aspects which focus on the cult of music. This kind of reflection appears e.g. on Schopenhauer’s and Nietzsche’s oeuvre. The author uses the cultu...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | Polish |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Polskie Towarzyrtwo Religioznawcze
2014
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| In: |
Przegla̜d religioznawczy
Year: 2014, Issue: 3/253, Pages: 77-90 |
| Online Access: |
Volltext (lizenzpflichtig) |
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| 520 | |a The article concerns an interpretation of Witold Gombrowicz’s work in the context of "aesthetoteism", a kind of para-religion, especially those aspects which focus on the cult of music. This kind of reflection appears e.g. on Schopenhauer’s and Nietzsche’s oeuvre. The author uses the cultural context of education, and analyses Polish writer’s life and work. "Disrespect of gods" juxtaposed with a great passion with which Gombrowicz presents his opinions on literature, music and art allow us to interpret his oeuvre in the category of ambivalence. | ||
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