Il mondo come processione di Dio secondo Giovanni Scoto Eriugena
Among the medieval places that cast a decisive and significant eye on the world, Cluny was the center of a veritable monastic civilizational project whose artistic heritage sometimes appears as the Rosetta stone of a forgotten language. This historical and theological language, much more daring than...
| Main Author: | |
|---|---|
| Format: | Print Article |
| Language: | Italian |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Glossa
2023
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| In: |
Teologia
Year: 2023, Volume: 48, Issue: 1, Pages: 63-90 |
| IxTheo Classification: | CD Christianity and Culture CE Christian art KAD Church history 500-900; early Middle Ages KAE Church history 900-1300; high Middle Ages NBC Doctrine of God NBD Doctrine of Creation NBE Anthropology |
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| 520 | |a Among the medieval places that cast a decisive and significant eye on the world, Cluny was the center of a veritable monastic civilizational project whose artistic heritage sometimes appears as the Rosetta stone of a forgotten language. This historical and theological language, much more daring than what certain historiographies have led us to believe, is rooted in a literary soil prior to the great scholastic systematizations of the 13th century and their extensions. It is in the astonishing thought of John Scotus Eriugena (9th century) that the article proposes to see the space for the emergence of the dynamic understanding of the relations uniting God and his creation. The Scotus Eriugenas' vision -- as distant as it is -- is probably likely to allow today's theologians to find in these architectural and iconographic productions that covered the Christian West in the 11th and 12th centuries, the paths they seek to follow. today to find in the "divine procession" a unified vision of human destiny and that of the cosmos. (English) | ||
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