Modernism, Nominalism, and the Hidden God in Samuel Beckett, Wallace Stevens, and David Jones

The idea that human language is an inherently inadequate instrument for grasping reality is widespread in modernist literature. While the ‘radical nominalism’ of this position has been recognised, this article argues that a genealogical understanding of its theological roots in medieval nominalism c...

Full description

Saved in:  
Bibliographic Details
Main Author: Tonning, Erik (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
Journals Online & Print:
Drawer...
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Oxford University Press 2023
In: Literature and theology
Year: 2023, Volume: 37, Issue: 1, Pages: 1-24
IxTheo Classification:CB Christian life; spirituality
CD Christianity and Culture
KAE Church history 900-1300; high Middle Ages
KAH Church history 1648-1913; modern history
KAJ Church history 1914-; recent history
NBC Doctrine of God
Online Access: Volltext (kostenfrei)
Volltext (kostenfrei)
Description
Summary:The idea that human language is an inherently inadequate instrument for grasping reality is widespread in modernist literature. While the ‘radical nominalism’ of this position has been recognised, this article argues that a genealogical understanding of its theological roots in medieval nominalism can highlight how modernist writers like Samuel Beckett and Wallace Stevens still wrestle with a voluntarist God of absolute and arbitrary power. By contrast, for a writer like David Jones, the historical choice of nominalism amounts to a theological mistake, and the modern artist needs to rediscover a God who consecrates and redeems the human capacity for sign-making.
ISSN:1477-4623
Contains:Enthalten in: Literature and theology
Persistent identifiers:DOI: 10.1093/litthe/frac034