The Churches are Empty, the Priests are Silent: Rewriting Ritual in Pandemic Times

The necrosima, a collection of 85 Syriac funerary hymns ascribed to Ephrem the Syrian, encompasses poetry in a variety of metres, commemorating Christians of all ages, genders, social stations, and professional backgrounds. Four of the madrāshê, moreover, distinguish themselves by attending to death...

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Detalhes bibliográficos
Autor principal: Doerfler, Maria E. (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Inglês
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Publicado em: Mohr Siebeck 2022
Em: Religion in the Roman empire
Ano: 2022, Volume: 8, Número: 3, Páginas: 337-364
Outras palavras-chave:B Hymnography
B John of Ephesus
B Ephrem
B Disaster
B Pandemic
B Lament
B Justinianic Plague
B Syriac
Acesso em linha: Volltext (lizenzpflichtig)
Descrição
Resumo:The necrosima, a collection of 85 Syriac funerary hymns ascribed to Ephrem the Syrian, encompasses poetry in a variety of metres, commemorating Christians of all ages, genders, social stations, and professional backgrounds. Four of the madrāshê, moreover, distinguish themselves by attending to death on a broader communal scale, namely in the context of pandemic and plague. In both form and context of preservation, these hymns were manifestly part of a community's ritual repertoire. At the same time, however, they witness to periods in which ordinary ritual pathways had broken down. In the midst of sickness and bereavement, the hymns suggest, churches stood empty, clergy mourned the loss of their brothers, even burials had ceased in light of death's relentless onslaught. This article seeks to examine contexts of disaster as spaces for reconfiguring communities' ritual practices in late antiquity, including the recovery of different models for engaging the divine.
ISSN:2199-4471
Obras secundárias:Enthalten in: Religion in the Roman empire
Persistent identifiers:DOI: 10.1628/rre-2022-0022