Cinema Has Not Yet Been Invented: André Bazin’s Christ-Based Ontology of Moving Images

This article explores, through the writings of French critic André Bazin, how cinema finds its roots in the capacity of documenting traces of the world and in the osmotic relationship between an event and its record. Due to its ontological status, photography echoes an incarnational and Christologic...

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Bibliographic Details
Main Author: Cilento, Fabrizio (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
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Published: [publisher not identified] 2023
In: Christian scholar's review
Year: 2023, Volume: 52, Issue: 2, Pages: 7-20
IxTheo Classification:CD Christianity and Culture
KAJ Church history 1914-; recent history
ZG Media studies; Digital media; Communication studies
Online Access: Volltext (kostenfrei)
Description
Summary:This article explores, through the writings of French critic André Bazin, how cinema finds its roots in the capacity of documenting traces of the world and in the osmotic relationship between an event and its record. Due to its ontological status, photography echoes an incarnational and Christological model, and cinema becomes a spiritual mediator between the passage of time and the inevitability of death. Influenced by Gabriel Marcel’s approach to existentialism and by Emmanuel Mounier concept of proper orientation, Bazin wrote extensively about religious films, while also dedicating attention to those auterist movies that challenged him spiritually or that he did not fully comprehend a priori, either at a technical level or regarding their moral contents. At times discussions about film and religion imposed a structure of beliefs that limited the possibility of fully articulating cinema’s transformative power. The antidote to dogmatic views can be found in Bazin’s emphasis on active spectatorship and his awareness that, although cinema may embrace new technologies, abandoning and refashioning old ones, it is permeated by religious values that can be communicated through an aesthetic use of the medium.
Contains:Enthalten in: Christian scholar's review