The Redemptive Dimension in Adorno’s Thought

Adorno’s thought is redemptive in nature. Adorno combines Benjamin’s view of religious redemption and Marx’s view of technical salvation, and sees art as an important way of human salvation. Adorno considers history as a dialectical movement of barbarism and civilization, and historical suffering ca...

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Détails bibliographiques
Auteur principal: Tao, Feng (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publié: 2022
Dans: Cultural and religious studies
Année: 2022, Volume: 10, Numéro: 8, Pages: 401-408
Sujets non-standardisés:B Espèce
B Language
B Adorno
B Redemption
B Benjamin
Accès en ligne: Volltext (lizenzpflichtig)
Volltext (lizenzpflichtig)
Description
Résumé:Adorno’s thought is redemptive in nature. Adorno combines Benjamin’s view of religious redemption and Marx’s view of technical salvation, and sees art as an important way of human salvation. Adorno considers history as a dialectical movement of barbarism and civilization, and historical suffering can be recalled and imitated through art. The redemption of thought requires the reconciliation of subject and object, and in the language of art, the subject and object achieve true reconciliation.
ISSN:2328-2177
Contient:Enthalten in: Cultural and religious studies
Persistent identifiers:DOI: 10.17265/2328-2177/2022.08.001