Giorgio Vasari’s Madonna of the Rosary: A Rose Garden of Blessings
In 1569, Giorgio Vasari (1511-1574) completed a painting of the Madonna of the Rosary for the private chapel of the Capponi family in the church of Santa Maria Novella in Florence. In his Ricordanze (Book of Records), Vasari explained the commission as well as documenting the assistance of his Flore...
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| Tipo de documento: | Recurso Electrónico Artigo |
| Idioma: | Inglês |
| Verificar disponibilidade: | HBZ Gateway |
| Journals Online & Print: | Carregar...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publicado em: |
David Publishing Company
2022
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| Em: |
Cultural and religious studies
Ano: 2022, Volume: 10, Número: 1, Páginas: 1-52 |
| Outras palavras-chave: | B
CosimoDaddi
B Christian symbolism B Tridentine Reform B virga B Carlo Borromeo B Mannerism B Santa Maria Novella B Capponifamily B Margarita Barza B Bartolomeo Scalvo B mysteries of the Rosary B Giorgio Vasari B Jacopo Zucchi B Lorenzo Lotto |
| Acesso em linha: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Resumo: | In 1569, Giorgio Vasari (1511-1574) completed a painting of the Madonna of the Rosary for the private chapel of the Capponi family in the church of Santa Maria Novella in Florence. In his Ricordanze (Book of Records), Vasari explained the commission as well as documenting the assistance of his Florentine pupil, Jacopo Zucchi (1541-1590), in the completion of this painting. This essay discusses Vasari’s symbolism of the rosary as a reflection of the Tridentine Reform in Florence as well as a visual interpretation of Italian Mannerist painters on this devotional subject. |
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| ISSN: | 2328-2177 |
| Obras secundárias: | Enthalten in: Cultural and religious studies
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| Persistent identifiers: | DOI: 10.17265/2328-2177/2022.01.001 |