Giorgio Vasari’s Madonna of the Rosary: A Rose Garden of Blessings

In 1569, Giorgio Vasari (1511-1574) completed a painting of the Madonna of the Rosary for the private chapel of the Capponi family in the church of Santa Maria Novella in Florence. In his Ricordanze (Book of Records), Vasari explained the commission as well as documenting the assistance of his Flore...

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Autor principal: Cheney, Liana De Girolami (Autor)
Tipo de documento: Electrónico Artículo
Lenguaje:Inglés
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Fernleihe:Fernleihe für die Fachinformationsdienste
Publicado: David Publishing Company 2022
En: Cultural and religious studies
Año: 2022, Volumen: 10, Número: 1, Páginas: 1-52
Otras palabras clave:B CosimoDaddi
B Christian symbolism
B Tridentine Reform
B virga
B Carlo Borromeo
B Mannerism
B Santa Maria Novella
B Capponifamily
B Margarita Barza
B Bartolomeo Scalvo
B mysteries of the Rosary
B Giorgio Vasari
B Jacopo Zucchi
B Lorenzo Lotto
Acceso en línea: Volltext (lizenzpflichtig)
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Sumario:In 1569, Giorgio Vasari (1511-1574) completed a painting of the Madonna of the Rosary for the private chapel of the Capponi family in the church of Santa Maria Novella in Florence. In his Ricordanze (Book of Records), Vasari explained the commission as well as documenting the assistance of his Florentine pupil, Jacopo Zucchi (1541-1590), in the completion of this painting. This essay discusses Vasari’s symbolism of the rosary as a reflection of the Tridentine Reform in Florence as well as a visual interpretation of Italian Mannerist painters on this devotional subject.
ISSN:2328-2177
Obras secundarias:Enthalten in: Cultural and religious studies
Persistent identifiers:DOI: 10.17265/2328-2177/2022.01.001