Beyond the Literary Sources of Augurello’s Chrysopoeia
In his Neo-Latin poem Chrysopoeia (1515), the Italian humanist Giovanni Aurelio Augurello often declares to be outdoing the ancients in writing the first alchemical poem in Latin. Is this simply an instance of what E. R. Curtius called outdoing a topos? Or is Augurello’s poem actually venturing onto...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Iter Press
2022
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| In: |
Renaissance and reformation
Year: 2022, Volume: 45, Issue: 3, Pages: 81-102 |
| IxTheo Classification: | TJ Modern history |
| Further subjects: | B
Alchemy
B Intertextuality B Renaissance Humanism B Neo-Latin Poetry B G. A. Augurello |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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| 520 | |a In his Neo-Latin poem Chrysopoeia (1515), the Italian humanist Giovanni Aurelio Augurello often declares to be outdoing the ancients in writing the first alchemical poem in Latin. Is this simply an instance of what E. R. Curtius called outdoing a topos? Or is Augurello’s poem actually venturing onto a metaphorically untrodden path? Based on an analysis of Chrysopoeia, its genesis, and its sources, this article aims to assess the extent of this poem’s novelty. In particular, my interpretation focuses on this text’s poetic transpositions of non-literary sources, and more specifically Geber’s Summa perfectionis and other medieval alchemical texts. | ||
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