Teopoética de san Juan de la Cruz: lírico de lo inefable
The present study proposes an approximation to the theopoetics of Saint John of the Cross - to a poetry that is theological and to a theology that is poetic - from four points of view: 1) the meaning of the "substantial word" as an internal link that unites mysticism and poetry; 2) the pro...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | Spanish |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Editorial de Espiritualidad
2022
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| In: |
Revista de espiritualidad
Year: 2022, Issue: 325, Pages: 417-449 |
| IxTheo Classification: | CB Christian life; spirituality CD Christianity and Culture KAH Church history 1648-1913; modern history |
| Online Access: |
Volltext (lizenzpflichtig) |
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| 520 | |a The present study proposes an approximation to the theopoetics of Saint John of the Cross - to a poetry that is theological and to a theology that is poetic - from four points of view: 1) the meaning of the "substantial word" as an internal link that unites mysticism and poetry; 2) the prologue to the Spiritual Canticle which contains a true poetics of mystical literature, encompassing such fundamental aspects as experience, inspiration, the Biblical model and communicative efficacy; 3) the theopathic state which the author already describes in his first poem; and 4) the theological system of his poetry through some examples of thematic continuity taken from Romance, Pastorcico, Noche and Llama. | ||
| 520 | |a el presente estudio quiere ser una aproximación a la Teopoética de san Juan de la Cruz, a una poesía que es teológica y a una teología que es poética, desde cuatro puntos de vista: 1) el significado de la "palabra sustancial" como vínculo interno que une mística y poesía; 2) el prólogo al Cántico espiritual donde se cifra una verdadera poética de la literatura mística, con aspectos fundamentales como la experiencia, la inspiración, el modelo bíblico y la eficacia comunicativa; 3) el estado teopático que el propio autor describe ya en su primer poema; y 4) el sistema teológico de su poesía a través de algunas muestras de continuidad temática: Romance, Pastorcico, Noche y Llama. | ||
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