Painting a true Christ: Art as collaboration with the creator spirit
Terrence Malick’s A Hidden Life (2019) not only tells the story of Franz Jägerstätter but also depicts Malick’s deeply Catholic understanding of art and the artist’s vocation, an understanding that portrays art, and in particular art that seeks to witness to the truth Jesus Christ embodies, as a kin...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Routledge, Taylor and Francis Group
2022
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In: |
Journal of Pentecostal and charismatic Christianity
Year: 2022, Volume: 42, Issue: 1, Pages: 58-71 |
Further subjects: | B
Beauty
B Obedience B Ministry B Species B Terrence Malick |
Online Access: |
Volltext (lizenzpflichtig) |
Summary: | Terrence Malick’s A Hidden Life (2019) not only tells the story of Franz Jägerstätter but also depicts Malick’s deeply Catholic understanding of art and the artist’s vocation, an understanding that portrays art, and in particular art that seeks to witness to the truth Jesus Christ embodies, as a kind of costly obedience. The author explores Malick’s Catholic vision of art and its implications for Pentecostal ministry. |
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ISSN: | 2769-1624 |
Contains: | Enthalten in: Journal of Pentecostal and charismatic Christianity
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Persistent identifiers: | DOI: 10.1080/27691616.2022.2042046 |