A religiosidade na obra de Theo Angelopoulos: aspectos da transcendência em A eternidade e um dia (1998)
Theo Angelopoulos´ later work, developed in the 1990s, in addition to its political characteristics, has a religious bias that is still poorly understood. The purpose of this article is to analyze how this religiosity presents itself in the narrative of the Greek filmmaker. We'll support author...
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| Format: | Electronic Article |
| Language: | Portuguese |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2019
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| In: |
Sacrilegens
Year: 2019, Volume: 16, Issue: 2, Pages: 85-101 |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | Theo Angelopoulos´ later work, developed in the 1990s, in addition to its political characteristics, has a religious bias that is still poorly understood. The purpose of this article is to analyze how this religiosity presents itself in the narrative of the Greek filmmaker. We'll support authors such as Mircea Eliade, Michael Bahktin, Gerard Genette, and Jan Albert. As an example we will use the film Eternity and a Day (Mia aioniotita kai mia mera, 1998). |
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| ISSN: | 2237-6151 |
| Contains: | Enthalten in: Sacrilegens
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| Persistent identifiers: | DOI: 10.34019/2237-6151.2019.v16.29065 |