Soul, freedom and salvation: a literary, cinematic and musical journey to the crossroads
It is tempting to assume that the construction of rational arguments for the existence of God reflects the basic logical form of theological discourse and debate. However, it would also seem that most if not all major religions are grounded mainly in stories (including biographies) of divine or divi...
| Autor principal: | |
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| Tipo de documento: | Electrónico Artículo |
| Lenguaje: | Inglés |
| Verificar disponibilidad: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publicado: |
2008
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| En: |
Journal of beliefs and values
Año: 2008, Volumen: 29, Número: 1, Páginas: 39-49 |
| Otras palabras clave: | B
Salvation
B Música soul B Devil B Freedom B Hell |
| Acceso en línea: |
Volltext (lizenzpflichtig) |
| Sumario: | It is tempting to assume that the construction of rational arguments for the existence of God reflects the basic logical form of theological discourse and debate. However, it would also seem that most if not all major religions are grounded mainly in stories (including biographies) of divine or divinely inspired saviours or prophets, and that the form of much ordinary religious understanding is ‘narratival’. In addition, such latter‐day moral and social theorists as Alasdair MacIntyre have held that human moral and spiritual understanding cannot but take a narrative form, and regarded religious stories as contributing crucially to such appreciation. However, while it is tempting to support such claims by reference to classics of literary and artistic culture, it is arguable that much contemporary cinematic and other popular art has also developed the major moral and spiritual themes of classical culture in significantly insightful ways. This article explores the movie Crossroads as a particularly fertile instance of such development. |
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| ISSN: | 1469-9362 |
| Obras secundarias: | Enthalten in: Journal of beliefs and values
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| Persistent identifiers: | DOI: 10.1080/13617670801928217 |
