Maria Clara in the Twenty-first Century: The Uneasy Discourse between the Cult of the Virgin Mary and Filipino Women’s Lived Realities
The Virgin Mary looms large as the image of a "good" Filipina or Filipino woman in both cultural and religious landscapes in the Philippines. A "good Filipina" imagery points specifically to the weak or passive woman, who is represented by a satirical character named Maria Clara....
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| Medienart: | Elektronisch Aufsatz |
| Sprache: | Englisch |
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| Veröffentlicht: |
2017
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| In: |
Religious studies and theology
Jahr: 2017, Band: 36, Heft: 2, Seiten: 139-153 |
| weitere Schlagwörter: | B
Rights
B Filipina B Religion B Gender |
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Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
MARC
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| 520 | |a The Virgin Mary looms large as the image of a "good" Filipina or Filipino woman in both cultural and religious landscapes in the Philippines. A "good Filipina" imagery points specifically to the weak or passive woman, who is represented by a satirical character named Maria Clara. The Roman Catholic Church reinforces such imagery to highlight the Madonna-Whore dichotomy. However, in the twenty-first century, Filipino women have come to challenge the image of a good woman as weak and passive person. This paper explores the challenges that Filipinas face in their everyday lives, which call for a re-examination of the role of Catholic faith in their lived experiences. | ||
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