Maria Clara in the Twenty-first Century: The Uneasy Discourse between the Cult of the Virgin Mary and Filipino Women’s Lived Realities

The Virgin Mary looms large as the image of a "good" Filipina or Filipino woman in both cultural and religious landscapes in the Philippines. A "good Filipina" imagery points specifically to the weak or passive woman, who is represented by a satirical character named Maria Clara....

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Détails bibliographiques
Auteur principal: Peracullo, Jeane C. (Auteur)
Type de support: Électronique Article
Langue:Anglais
Vérifier la disponibilité: HBZ Gateway
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Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Publié: 2017
Dans: Religious studies and theology
Année: 2017, Volume: 36, Numéro: 2, Pages: 139-153
Sujets non-standardisés:B Rights
B Religion
B Philippine
B Gender
Accès en ligne: Volltext (lizenzpflichtig)
Volltext (lizenzpflichtig)
Description
Résumé:The Virgin Mary looms large as the image of a "good" Filipina or Filipino woman in both cultural and religious landscapes in the Philippines. A "good Filipina" imagery points specifically to the weak or passive woman, who is represented by a satirical character named Maria Clara. The Roman Catholic Church reinforces such imagery to highlight the Madonna-Whore dichotomy. However, in the twenty-first century, Filipino women have come to challenge the image of a good woman as weak and passive person. This paper explores the challenges that Filipinas face in their everyday lives, which call for a re-examination of the role of Catholic faith in their lived experiences.
ISSN:1747-5414
Contient:Enthalten in: Religious studies and theology
Persistent identifiers:DOI: 10.1558/rsth.35155