Maria Clara in the Twenty-first Century: The Uneasy Discourse between the Cult of the Virgin Mary and Filipino Women’s Lived Realities
The Virgin Mary looms large as the image of a "good" Filipina or Filipino woman in both cultural and religious landscapes in the Philippines. A "good Filipina" imagery points specifically to the weak or passive woman, who is represented by a satirical character named Maria Clara....
Auteur principal: | |
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Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
Publié: |
2017
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Dans: |
Religious studies and theology
Année: 2017, Volume: 36, Numéro: 2, Pages: 139-153 |
Sujets non-standardisés: | B
Rights
B Religion B Philippine B Gender |
Accès en ligne: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
Résumé: | The Virgin Mary looms large as the image of a "good" Filipina or Filipino woman in both cultural and religious landscapes in the Philippines. A "good Filipina" imagery points specifically to the weak or passive woman, who is represented by a satirical character named Maria Clara. The Roman Catholic Church reinforces such imagery to highlight the Madonna-Whore dichotomy. However, in the twenty-first century, Filipino women have come to challenge the image of a good woman as weak and passive person. This paper explores the challenges that Filipinas face in their everyday lives, which call for a re-examination of the role of Catholic faith in their lived experiences. |
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ISSN: | 1747-5414 |
Contient: | Enthalten in: Religious studies and theology
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Persistent identifiers: | DOI: 10.1558/rsth.35155 |