A New Naturalism: Is There a (Radical) 'Truth' beyond the (Postmodern) Abyss?
More than a decade ago, the avant-garde American composer, Philip Glass, released a film that featured a lengthy barrage of dizzying, frenetic images—cars racing along congested freeways, buildings being constructed and demolished, assembly lines spewing out new products. An elegy to a society run a...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Equinox Publ.
2000
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| In: |
Journal for the study of religion, nature and culture
Year: 2000, Volume: 8 |
| Further subjects: | B
Nature
B Theology B Spirituality B Environmentalism B Conservation B Religion B Science B Ecology B Ethics B Climate Change B nature religion B Animism B Sustainability B Environmental Ethics B Teilhard B Evolution B Environment (Art) B Culture B Ecofeminism B religion and nature |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | More than a decade ago, the avant-garde American composer, Philip Glass, released a film that featured a lengthy barrage of dizzying, frenetic images—cars racing along congested freeways, buildings being constructed and demolished, assembly lines spewing out new products. An elegy to a society run amok, the film was entitled, Koyaanisquatsi, a Native American Hopi term meaning ‘life out of balance’. The theme of society both out of balance and out of control is omnipresent today. It is especially apt in describing our relations with the natural world which call for a fundamental shift in our values and institutions. |
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| ISSN: | 1749-4915 |
| Contains: | Enthalten in: Journal for the study of religion, nature and culture
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| Persistent identifiers: | DOI: 10.1558/ecotheology.v5i1.1793 |