Four Jewish Visions of the Garden of Eden
What was life like for Adam and Eve before they sinned? What was their sin? What was this mysterious Tree of Knowledge of Good and Evil? The views on these questions of four major Jewish thinkers: Moses Maimonides (1138–1204), Moses Nahmanides (1194–1270), Moses Mendelssohn (1729–1786), and Solomon...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
2023
|
| In: |
Religions
Year: 2023, Volume: 14, Issue: 2 |
| Further subjects: | B
Maimonides
B Augustine B Garden of Eden B Maimon B Mendelssohn B Nahmanides B Kant |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Summary: | What was life like for Adam and Eve before they sinned? What was their sin? What was this mysterious Tree of Knowledge of Good and Evil? The views on these questions of four major Jewish thinkers: Moses Maimonides (1138–1204), Moses Nahmanides (1194–1270), Moses Mendelssohn (1729–1786), and Solomon Maimon (1753–1800), are discussed and contrasted. For Maimonides, the Garden of Eden was the Garden of Pure Reason, and sin consisted in the abandonment of Reason. For Nahmanides, like Augustine, the Garden of Eden story is about the human beings’ attainment of free choice with all its grave problems. Criticizing Maimonides and Nahmanides, Mendelssohn followed Plato and Judah Halevi, arguing that the Garden of Eden story is about maintaining a harmony between intellect and desire. Maimon agreed with Maimonides that the Garden of Eden was the Garden of Pure Reason, but, following Kant, he argued contra Maimonides that the moral rules are rational and a priori. All four thinkers held that the Garden of Eden was a paradigmatic place of tolerance—either because rational people do not harm others, or because desireless people have no desire to harm others, or because well-balanced people have noble virtues. In an Excursus, Maimon’s “Merry Masquerade Ball” is interpreted. |
|---|---|
| ISSN: | 2077-1444 |
| Contains: | Enthalten in: Religions
|
| Persistent identifiers: | DOI: 10.3390/rel14020221 |