Lodovico Capponi and Florentine Funerary Politics

In order to parse the complicated relationships embodied in works of art patronage studies have become increasingly sophisticated in recent years. The role of social identity, as created, manipulated, and reified through acts of patronage, has become a particularly useful model for analysing visual...

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Bibliographic Details
Published in:The sixteenth century journal
Main Author: Maratsos, Jessica 1977- (Author)
Format: Electronic Article
Language:English
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Published: Sixteenth Century Journal Publishers, Inc. 2020
In: The sixteenth century journal
Year: 2020, Volume: 51, Issue: 3, Pages: 625-640
IxTheo Classification:CD Christianity and Culture
CE Christian art
KAG Church history 1500-1648; Reformation; humanism; Renaissance
KBJ Italy
Further subjects:B 16TH century arts
B FUNERARY art
B CAPPONI, Lodovico di Gino, 1482-1534
B HISTORY of Florence, Italy, 1421-1737
B Art patronage
B Italy
Description
Summary:In order to parse the complicated relationships embodied in works of art patronage studies have become increasingly sophisticated in recent years. The role of social identity, as created, manipulated, and reified through acts of patronage, has become a particularly useful model for analysing visual culture in Renaissance Florence. This article explores the ways in which Lodovico di Gino Capponi utilized his artistic patronage, specifically of two different funerary monuments commissioned for himself and for his father-in-law, as a means of publicly demonstrating both his sensitivity to social hierarchies and his allegiance to the Medici. As a Florentine banker and merchant who made his career first in Rome before returning to his native city, Capponi's political ambitions were dependent upon his ability to navigate the complex relationships between the two cities in the uneasy stability established by the Medici the 1520s before the advent of the last Florentine Republic in 1527.
ISSN:2326-0726
Contains:Enthalten in: The sixteenth century journal