Liberating Speech: Confession and Dialogue in Marguerite de Navarre’s Les Prisons

From a soteriological perspective, the process of salvation and spiritual liberation depicted in Les Prisons enacts the power of grace and seems to leave no room for human agency. At the same time, forms of dialogical speaking pervade the poem, and the spoken word, both human and divine, is featured...

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Detalles Bibliográficos
Autor principal: Leushuis, Reinier (Autor)
Tipo de documento: Electrónico Artículo
Lenguaje:Inglés
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Publicado: Sixteenth Century Journal Publishers, Inc. 2022
En: The sixteenth century journal
Año: 2022, Volumen: 53, Número: 1, Páginas: 109-133
Clasificaciones IxTheo:KAG Reforma
KBG Francia
KD Denominaciones
NBK Soteriología
NBP Sacramento
Otras palabras clave:B Confession in literature
B LES Prisons (Book)
B Dialogue
B THEMES in poetry
B Poetics
B Marguerite, Queen, consort of Henry II, King of Navarre, 1492-1549
Descripción
Sumario:From a soteriological perspective, the process of salvation and spiritual liberation depicted in Les Prisons enacts the power of grace and seems to leave no room for human agency. At the same time, forms of dialogical speaking pervade the poem, and the spoken word, both human and divine, is featured as an instrument of confession and conversion. This coalescence of doctrine, speech, and dialogue reveals a vision on the salvific process in which the believer has a more participatory role than Marguerite’s doctrinal position seems to suggest. This article examines the poem’s dialogical and confessional exchanges and argues that the confessional, exemplary, persuasive, and consolatory functions of the spoken word in a dialogical setting valorize the Christian’s role in the processes of forgiveness, grace, and salvation, and reveal a degree of human agency. This view is substantiated by Augustinian and early reformist notions of confession as a spoken and dialogical praxis.
ISSN:2326-0726
Obras secundarias:Enthalten in: The sixteenth century journal