Islamic state propaganda: between social movement framing and subcultural provocation

The Islamic State (IS) has become notorious for violent, brutal actions and the presentation of these actions in social and mainstream media. Excessive violence creates a spectacle for the news media. However, IS propaganda also emphasizes its role in state building and its engagement in social and...

ver descrição completa

Na minha lista:  
Detalhes bibliográficos
Authors: Andersen, Jan Christoffer (Author) ; Sandberg, Sveinung 1977- (Author)
Tipo de documento: Recurso Electrónico Artigo
Idioma:Inglês
Verificar disponibilidade: HBZ Gateway
Journals Online & Print:
Carregar...
Fernleihe:Fernleihe für die Fachinformationsdienste
Publicado em: Cass 2020
Em: Terrorism and political violence
Ano: 2020, Volume: 32, Número: 7, Páginas: 1506-1526
Outras palavras-chave:B Terrorism
B Dabiq
B Isis
B IS
B Islamic State
B Social movement
B Propaganda
B Subculture
Acesso em linha: Presumably Free Access
Volltext (Resolving-System)
Volltext (Verlag)
Descrição
Resumo:The Islamic State (IS) has become notorious for violent, brutal actions and the presentation of these actions in social and mainstream media. Excessive violence creates a spectacle for the news media. However, IS propaganda also emphasizes its role in state building and its engagement in social and welfare work. This twofold propaganda enables the mobilization of different audiences, but it also sends conflicting messages about the organization. In this article, we study the e-magazine Dabiq, emphasizing its methods of gaining support and attempting to recruit Western participants to violent jihadism. We use theories of social movement and subculture to reveal some of the underlying tensions in IS’s communicative strategies. The analysis first identifies how IS frames its propaganda, attempting to mobilize widespread support. Then, it highlights another dimension of IS’s rhetoric: provocations, the creation of sensationalist spectacles of violence and links to excitement seeking, stardom, and popular culture. We conclude that combining general anti-Western rhetoric and religious imagery with extraordinary depictions of violence has been both a strength and flaw in the organization’s propaganda.
Descrição do item:Gesehen am 19.01.2023
Published online: 27 Jul 2018
ISSN:1556-1836
Obras secundárias:Enthalten in: Terrorism and political violence
Persistent identifiers:DOI: 10.1080/09546553.2018.1484356