Sentimentalism, Realism, and Secularity in Edith Wharton's The House of Mirth

Critics of Edith Wharton's The House of Mirth have interpreted Lily Bart's death and Nettie Struther's story as scenes that undermine the novel's realism. I show how they reveal Wharton's negotiation of transcendence within the genre of realism. Nettie's redemption and...

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Bibliographic Details
Published in:Christianity & literature
Main Author: Park, Haein (Author)
Format: Electronic Article
Language:English
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Published: Johns Hopkins University Press 2022
In: Christianity & literature
IxTheo Classification:CB Christian life; spirituality
CD Christianity and Culture
KAH Church history 1648-1913; modern history
NCE Business ethics
Further subjects:B Edith Wharton
B Secularity
B Transcendence
B Religion
B Poison
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Summary:Critics of Edith Wharton's The House of Mirth have interpreted Lily Bart's death and Nettie Struther's story as scenes that undermine the novel's realism. I show how they reveal Wharton's negotiation of transcendence within the genre of realism. Nettie's redemption and Lily's death destabilize a secular mode of economic exchange, offering a way to transcend this mode by means of a gift exchange. I argue that the idea of the gift embedded in Netty's story and Lily's death operates both as a scandal and vehicle of transcendence
ISSN:2056-5666
Contains:Enthalten in: Christianity & literature
Persistent identifiers:DOI: 10.1353/chy.2022.0055