Theology, Deconstruction, and Ritual Process
Abstract. Victor Turner's comparative symbology provides a description of liminality, marginality, and liminoid genres that can be usefully applied to positioning theology in a theory of practice, determining its social location, and assessing its future meaning. This paper argues not only that...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
Published: |
1983
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In: |
Zygon
Year: 1983, Volume: 18, Issue: 3, Pages: 295-309 |
Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
Parallel Edition: | Non-electronic
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Summary: | Abstract. Victor Turner's comparative symbology provides a description of liminality, marginality, and liminoid genres that can be usefully applied to positioning theology in a theory of practice, determining its social location, and assessing its future meaning. This paper argues not only that theological marginality is a result of the secularization of culture but also that the breach with theology's pubiics reflects a more significant internal breach that is essential to theology as a liminoid form of public reflexivity. The paper draws from deconstructionist philosophy and defines the interpretive task of theology as a deconstructionist hermeneutic. |
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ISSN: | 1467-9744 |
Contains: | Enthalten in: Zygon
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Persistent identifiers: | DOI: 10.1111/j.1467-9744.1983.tb00516.x |