Spel en betekenisgeving bij de musealisering van christelijk-religieus erfgoed
In Homo Ludens Johan Huizinga argues that play is a necessary condition of culture, as for example in the placement of objects in the Rijksmuseum: their arrangement produces different layers of meaning that can be uncovered in various ways by visitors. Huizinga opposes the idea of the as a museum of...
| Published in: | Theologia reformata |
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| Subtitles: | "Themanummer homo ludens" |
| Main Author: | |
| Format: | Electronic Article |
| Language: | Dutch |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
University of Groningen Press
2022
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| In: |
Theologia reformata
Year: 2022, Volume: 65, Issue: 4, Pages: 371-386 |
| IxTheo Classification: | CD Christianity and Culture KAJ Church history 1914-; recent history KBD Benelux countries |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | In Homo Ludens Johan Huizinga argues that play is a necessary condition of culture, as for example in the placement of objects in the Rijksmuseum: their arrangement produces different layers of meaning that can be uncovered in various ways by visitors. Huizinga opposes the idea of the as a museum of art because combining objects of art and historical objects will lead to a "historical sensationalism". The polyptych "The Seven Works of Mercy" (De zeven werken van barmhartigheid) shows how a Christian-religious object can function in the Rijksmuseum's environment, defined by secular rules of presentation. |
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| Contains: | Enthalten in: Theologia reformata
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| Persistent identifiers: | DOI: 10.21827/TR.65.4.371-386 |