Cléophas et Lydie: un 'couple' lucanien hautement théologique
The literary device of the synkrisis, the methodological comparison between two persons or situations, is regularly used in Luke's work, in particular to create links between the Gospel and Acts. A particular synkrisis unites the Emmaus episode (Lk 21,13-33) and the meeting between Paul and Lyd...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | French |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Peeters
2014
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| In: |
Biblica
Year: 2014, Volume: 95, Issue: 3, Pages: 371-387 |
| Further subjects: | B
Cleophas
B Lydia B Luke 21,13-33 B synkrisis B Acts 15,5-11 |
| Online Access: |
Volltext (JSTOR) Volltext (kostenfrei) |
| Parallel Edition: | Non-electronic
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| 520 | |a The literary device of the synkrisis, the methodological comparison between two persons or situations, is regularly used in Luke's work, in particular to create links between the Gospel and Acts. A particular synkrisis unites the Emmaus episode (Lk 21,13-33) and the meeting between Paul and Lydia (Acts 16,5-11). In both narratives, the rare verb parabia/zomai is employed and, while this has been pointed out by commentators, the theological value of this synkrisis has nevertheless been underestimated. Luke had a deeply theologically inclusive agenda, and the parallels between Cleophas, the Jewish man who meets the Risen One, and Lydia, the pagan woman who meets Paul the Apostle, illustrate this. | ||
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