Cléophas et Lydie: un 'couple' lucanien hautement théologique
The literary device of the synkrisis, the methodological comparison between two persons or situations, is regularly used in Luke's work, in particular to create links between the Gospel and Acts. A particular synkrisis unites the Emmaus episode (Lk 21,13-33) and the meeting between Paul and Lyd...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Français |
| Vérifier la disponibilité: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publié: |
2014
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| Dans: |
Biblica
Année: 2014, Volume: 95, Numéro: 3, Pages: 371-387 |
| Sujets non-standardisés: | B
Cleophas
B Lydia B Luke 21,13-33 B synkrisis B Acts 15,5-11 |
| Accès en ligne: |
Volltext (JSTOR) Volltext (kostenfrei) |
| Édition parallèle: | Non-électronique
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| Résumé: | The literary device of the synkrisis, the methodological comparison between two persons or situations, is regularly used in Luke's work, in particular to create links between the Gospel and Acts. A particular synkrisis unites the Emmaus episode (Lk 21,13-33) and the meeting between Paul and Lydia (Acts 16,5-11). In both narratives, the rare verb parabia/zomai is employed and, while this has been pointed out by commentators, the theological value of this synkrisis has nevertheless been underestimated. Luke had a deeply theologically inclusive agenda, and the parallels between Cleophas, the Jewish man who meets the Risen One, and Lydia, the pagan woman who meets Paul the Apostle, illustrate this. |
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| ISSN: | 2385-2062 |
| Contient: | Enthalten in: Biblica
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