Musik, Kultur und Gesellschaft in Marokko: Ibrāhīm at-Tādilī ar-Ribāṭī und seine Sicht auf die andalusische Musik
The article presents a musicological text by the 19th century Moroccan author Ibrāhīm at-Tādilī, Aġānī s-siqā wa-maġānī l-mūsīqā au al-irtiqāʾ ilā ʿulūm al-mūsīqā, based on a manuscript now preserved at Granada. In this article I will concentrate on the theoretical and socio-cultural implications. T...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2013
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| In: |
Oriens
Year: 2013, Volume: 41, Issue: 1/02, Pages: 159-183 |
| Further subjects: | B
Andalusian-Moroccan music
B Fashion B Tādilī B nauba B rhythmic cycle |
| Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | The article presents a musicological text by the 19th century Moroccan author Ibrāhīm at-Tādilī, Aġānī s-siqā wa-maġānī l-mūsīqā au al-irtiqāʾ ilā ʿulūm al-mūsīqā, based on a manuscript now preserved at Granada. In this article I will concentrate on the theoretical and socio-cultural implications. The Aġānī s-siqā are an important document that reflects the strong relationship between the Andalusian-Moroccan music and the Moroccan identity, continuing until the present today. |
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| ISSN: | 1877-8372 |
| Contains: | Enthalten in: Oriens
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| Persistent identifiers: | DOI: 10.1163/18778372-13410106 |
