William Shakespeare's All Is True, Lord Chamberlain's "Truth," and Civil Religion

The first title for Shakespeare's Henry VIII—All Is True—may reflect standard early modern usage signifying that all is an aspect of 'troth' or loyalty, all is common understanding, or all is received from a divine source. In the play, the Lord Chamberlain, Shakespeare's only cha...

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Bibliographic Details
Main Author: Olson, Paul A. (Author)
Format: Electronic Article
Language:English
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Published: Johns Hopkins University Press 2022
In: Christianity & literature
Year: 2022, Volume: 71, Issue: 3, Pages: 287-305
IxTheo Classification:CD Christianity and Culture
CG Christianity and Politics
KAH Church history 1648-1913; modern history
Further subjects:B Lord Chamberlain
B Civil Religion
B Shakespeare
B Jacobean
B Henry VIII
Online Access: Presumably Free Access
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Summary:The first title for Shakespeare's Henry VIII—All Is True—may reflect standard early modern usage signifying that all is an aspect of 'troth' or loyalty, all is common understanding, or all is received from a divine source. In the play, the Lord Chamberlain, Shakespeare's only character so named, serves the Henrician monarchy's "truth" by serving Henry's religious and monarchic goals as the Jacobean Lord Chamberlain similarly served James I's goals, assuring audiences of the integrity, truth, and legitimacy of the monarchy and its faith. The play shows the Lord Chamberlain working to strengthen the loyalty of Henry's realm to the putatively divinely sanctioned sovereignty flowing through the monarch. He does so to create a legitimate image of the Tudor regime pivotal to the Jacobean monarchy's need for support for its 1613 religious goals and the "troth" inherent in English civil religion.
ISSN:2056-5666
Contains:Enthalten in: Christianity & literature
Persistent identifiers:DOI: 10.1353/chy.2022.0038