Christology and the History of the Johannine Community in the Prologue of the Fourth Gospel

So much has been written about the Prologue that it must seem unlikely that anything new could be said about it with some claim to credibility. It is not that all problems have been resolved, or that all that needs to be said has been said. But perhaps, on the basis of existing evidence, it seems th...

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Bibliographic Details
Main Author: Painter, John 1935- (Author)
Format: Electronic Article
Language:English
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Published: Cambridge Univ. Press 1984
In: New Testament studies
Year: 1984, Volume: 30, Issue: 3, Pages: 460-474
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Parallel Edition:Non-electronic
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Summary:So much has been written about the Prologue that it must seem unlikely that anything new could be said about it with some claim to credibility. It is not that all problems have been resolved, or that all that needs to be said has been said. But perhaps, on the basis of existing evidence, it seems that what can be said with some probability has been said. Yet many issues remain unresolved. Are the form and content of the Prologue the consequence of the evangelist's use of a source hymn? Or was the Prologue a specially written introduction for the Gospel? If the Prologue is based on a source hymn: What was the origin of the hymn? How did it come to the evangelist and why did he use it? What was in the hymn and what was added by the evangelist? Answers to these questions are fundamental to a precise understanding of the Prologue and could throw light on the history of the Johannine community.
ISSN:1469-8145
Contains:Enthalten in: New Testament studies
Persistent identifiers:DOI: 10.1017/S0028688500007621