Drei Kantionalsätze von Samuel Michael in Gotha 1648 (1655?)
Three cantional settings from Samuel Michael in Gotha 1648 (1655)? This question can be denied: The three well-known compositions are adaptions by A. Reyher, headmaster of the Gotha Gymnasium, and his Kantor V.D. Marold from theatrical songs by S. Michael (1630), organist at the Nicolaikirche in Lei...
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| Format: | Electronic Article |
| Language: | German |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Vandenhoeck & Ruprecht
1992
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| In: |
Jahrbuch für Liturgik und Hymnologie
Year: 1992, Volume: 34, Pages: 108-111 |
| Online Access: |
Volltext (lizenzpflichtig) |
| Summary: | Three cantional settings from Samuel Michael in Gotha 1648 (1655)? This question can be denied: The three well-known compositions are adaptions by A. Reyher, headmaster of the Gotha Gymnasium, and his Kantor V.D. Marold from theatrical songs by S. Michael (1630), organist at the Nicolaikirche in Leipzig. These additions to the old contrafacta in Gotha yield a modern mobility into the famous anthology of choral works „Cantionale sacrum“. |
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| ISSN: | 2197-3466 |
| Contains: | Enthalten in: Jahrbuch für Liturgik und Hymnologie
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