Gesicherte und ungesicherte Kirchenliedvorlagen als Themen Mendelssohns: Konrad Ameln zum 6. Juli 1984 gewidmet
Mendelssohn used hymn tunes as themes not only in his sacred but also in his secular works. In doing this he linkes the Chorale Variation form with classical forms (Sonata form, Rondo). With some themes, the underlying hymn tune cannot be precisely identified. Hymnological research should pursue the...
| Authors: | ; ; |
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| Format: | Electronic Article |
| Language: | German |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Vandenhoeck & Ruprecht
1984
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| In: |
Jahrbuch für Liturgik und Hymnologie
Year: 1984, Volume: 28, Pages: 146-155 |
| Online Access: |
Volltext (lizenzpflichtig) |
| Parallel Edition: | Non-electronic
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| Summary: | Mendelssohn used hymn tunes as themes not only in his sacred but also in his secular works. In doing this he linkes the Chorale Variation form with classical forms (Sonata form, Rondo). With some themes, the underlying hymn tune cannot be precisely identified. Hymnological research should pursue the question of the sources from which Mendelssohn gaining his knowledge of the church music tradition. |
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| ISSN: | 2197-3466 |
| Contains: | Enthalten in: Jahrbuch für Liturgik und Hymnologie
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