Partial Transcendence, Religious Pluralism, and the Question of Love
Near the center of Anselm Kiefer's watercolor, Everyone Stands Under His Own Dome of Heaven, stands an inverted half-globe in the middle of a field. We know that it is winter, for patches of snow partially obscure the bare ground, which is itself marked by receding, interrupted lines of exposed...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Published: |
Cambridge Univ. Press
2010
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| In: |
Harvard theological review
Year: 2010, Volume: 104, Issue: 1, Pages: 1-32 |
| Online Access: |
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