Partial Transcendence, Religious Pluralism, and the Question of Love
Near the center of Anselm Kiefer's watercolor, Everyone Stands Under His Own Dome of Heaven, stands an inverted half-globe in the middle of a field. We know that it is winter, for patches of snow partially obscure the bare ground, which is itself marked by receding, interrupted lines of exposed...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Cambridge Univ. Press
2010
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| In: |
Harvard theological review
Year: 2010, Volume: 104, Issue: 1, Pages: 1-32 |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | Near the center of Anselm Kiefer's watercolor, Everyone Stands Under His Own Dome of Heaven, stands an inverted half-globe in the middle of a field. We know that it is winter, for patches of snow partially obscure the bare ground, which is itself marked by receding, interrupted lines of exposed roots and clumps of dirt where crops once grew and could, one imagines, grow again. Within the clear blue dome a small human figure in a dark green military uniform raises his right arm. His apparent salute is directed at no one in particular, since he is utterly isolated. |
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| ISSN: | 1475-4517 |
| Contains: | Enthalten in: Harvard theological review
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| Persistent identifiers: | DOI: 10.1017/S0017816011000034 |