La renovación benedictina: artes plásticas y arquitectura religiosa contemporáneas
The modernization of contemporary religious architecture consecrated the integration of plastic arts and architecture as an objective. This phenomenon took on renewed forms of expression in arts at the service of liturgy in the second half of the 20th century. In its development, the Order of St. Be...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | Spanish |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Universidad Pontificia Comillas
2021
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| In: |
Miscelánea Comillas
Year: 2021, Volume: 79, Issue: 155, Pages: 467-497 |
| Further subjects: | B
arquitectura religiosa contemporánea
B Orden de San Benito B espacio litúrgico B Zamora B integración de las artes |
| Online Access: |
Presumably Free Access Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | The modernization of contemporary religious architecture consecrated the integration of plastic arts and architecture as an objective. This phenomenon took on renewed forms of expression in arts at the service of liturgy in the second half of the 20th century. In its development, the Order of St. Benedict has played a leading role, in continuity with its historical contributions. The first work of the Order in Spain after its restoration was the construction of the church of the monastery of La Ascensión, the Spanish Benedictine work that is most faithful to the Second Vatican reform and to the renewal of the fine arts in the service of liturgy, whose constructive process we study. La modernización de la arquitectura religiosa contemporánea consagró la integración entre artes plásticas y arquitectura como objetivo. Este fenómeno cobró en la segunda mitad del siglo XX renovadas formas de expresión en las artes al servicio del culto. En su desarrollo, la orden de San Benito ha tenido un papel protagonista, en plena continuidad con sus aportaciones históricas. Precisamente su primera realización en España tras su restauración fue el templo del monasterio de La Ascensión, la obra benedictina española más fiel a la reforma del Vaticano II y a la renovación de las artes al servicio litúrgico, cuyo proceso constructivo estudiamos. |
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| ISSN: | 2341-085X |
| Contains: | Enthalten in: Miscelánea Comillas
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| Persistent identifiers: | DOI: 10.14422/mis.v79.i155.y2021.002 |