The Warsaw Ghetto in American Art and CultureSamantha Baskind

The history of the Warsaw Ghetto has been used as a “recurrent tool” for “fashioning and refashioning” Jewish identity (p. 13), according to Baskind, who begins her study by exploring 1940s radio dramas that spotlighted the Warsaw Ghetto Uprising and depicted the Ghetto’s Jews as armed and ready to...

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Bibliographic Details
Main Author: Prager, Brad (Author)
Format: Electronic Review
Language:English
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Published: Oxford University Press 2020
In: Holocaust and genocide studies
Year: 2020, Volume: 34, Issue: 2, Pages: 333-335
Review of:The Warsaw Ghetto in American art and culture (University Park, Pennsylvania : The Pennsylvania State University Press, 2018) (Prager, Brad)
Further subjects:B Book review
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Summary:The history of the Warsaw Ghetto has been used as a “recurrent tool” for “fashioning and refashioning” Jewish identity (p. 13), according to Baskind, who begins her study by exploring 1940s radio dramas that spotlighted the Warsaw Ghetto Uprising and depicted the Ghetto’s Jews as armed and ready to fight. This same combative posture has contributed to the advancement of the model of the “muscular Jew,” imagery that has been closely aligned with the foundation and protection of Israel. Baskind’s book, with its five splendidly illustrated chapters, deals mainly with the depiction of the Warsaw Ghetto in the visual arts, and, to a lesser extent, in popular literature.
ISSN:1476-7937
Contains:Enthalten in: Holocaust and genocide studies
Persistent identifiers:DOI: 10.1093/hgs/dcaa037