Filming the End of the Holocaust: Allied Documentaries, Nuremberg and the Liberation of the Concentration Camps
John J. Michalczyk's engaging new book examines films that were used in trials of Nazi war criminals, and how such films were employed during and after the war to persuade audiences of the Germans' guilt. At Nuremberg in 1945 Robert H. Jackson, U.S. chief prosecutor, made it clear that he...
| Κύριος συγγραφέας: | |
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| Τύπος μέσου: | Ηλεκτρονική πηγή Αξιόλογηση |
| Γλώσσα: | Αγγλικά |
| Έλεγχος διαθεσιμότητας: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Έκδοση: |
2016
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| Στο/Στη: |
Holocaust and genocide studies
Έτος: 2016, Τόμος: 30, Τεύχος: 1, Σελίδες: 150-152 |
| Κριτική του: | Filming the end of the Holocaust (London : Bloomsbury Academic, 2016) (Prager, Brad)
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| Άλλες λέξεις-κλειδιά: | B
Κριτική
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| Διαθέσιμο Online: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Σύνοψη: | John J. Michalczyk's engaging new book examines films that were used in trials of Nazi war criminals, and how such films were employed during and after the war to persuade audiences of the Germans' guilt. At Nuremberg in 1945 Robert H. Jackson, U.S. chief prosecutor, made it clear that he was going to include films as evidence—uncharted territory for a groundbreaking trial. |
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| ISSN: | 1476-7937 |
| Περιλαμβάνει: | Enthalten in: Holocaust and genocide studies
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| Persistent identifiers: | DOI: 10.1093/hgs/dcw019 |
