Raising The Rock: The Importance of T. S. Eliot’s Pageant-Play
T. S. Eliot’s The Rock was written as part of a fundraising campaign to assist the Forty-Five Churches Fund to build new churches in Fondons suburbs. The pageant play has to-date received little critical attention partly due to the fact that it was a commissioned piece, and partly due to its undenia...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Johns Hopkins University Press
2013
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In: |
Christianity & literature
Year: 2013, Volume: 62, Issue: 2, Pages: 261-282 |
Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) |
Summary: | T. S. Eliot’s The Rock was written as part of a fundraising campaign to assist the Forty-Five Churches Fund to build new churches in Fondons suburbs. The pageant play has to-date received little critical attention partly due to the fact that it was a commissioned piece, and partly due to its undeniable flaws. A thoroughgoing reassessment of the important place the play holds in Eliots oeuvre is therefore long overdue. I aim to show that an attentive re-reading of The Rock in its church setting is indispensable for gaining a full understanding of the development of Eliots post-conversion ideas about community, tradition, and the ritual function of art. |
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ISSN: | 2056-5666 |
Contains: | Enthalten in: Christianity & literature
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