When Male Characters Pass as Women: Theatrical Play and Social Practice in the Italian Renaissance
This article examines male cross-dressing in Italian Renaissance comedies with a particular emphasis on "Il Ragazzo" by the Venetian writer Lodovico Dolce. Without challenging the traditional readings of cross-dressing plots that view their licentiousness and their reversals of gender and...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Sixteenth Century Journal Publishers, Inc.
2005
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| In: |
The sixteenth century journal
Year: 2005, Volume: 36, Issue: 3, Pages: 743-760 |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | This article examines male cross-dressing in Italian Renaissance comedies with a particular emphasis on "Il Ragazzo" by the Venetian writer Lodovico Dolce. Without challenging the traditional readings of cross-dressing plots that view their licentiousness and their reversals of gender and sexual roles as comic conventions typical of this genre and of the festive time of carnival, it is suggested that such plots offered a particularly rich opportunity for imaginative play. This study posits a connection between a historical social formation--the changing sexual status of young males as they pass from feminized youth to full masculine adulthood--and the representation of male characters dressed as women. The texts of these comedies, seen in their social and historical context, provide an interesting basis for discussion of issues of gender and masculine identity in a highly structured patriarchal society. |
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| ISSN: | 2326-0726 |
| Contains: | Enthalten in: The sixteenth century journal
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| Persistent identifiers: | DOI: 10.2307/20477488 |