Sun-Symbolism and Cosmology in Michelangelo's Last Judgment

A cosmological interpretation of Michelangelo's Last Judgment proposes new sources for the circular design of the fresco around a central Apollonian Sun-Christ. These are dependent upon the common ground shared between the Catholic Reformation revival of the traditional Christian analogy betwee...

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Bibliographic Details
Main Author: Shrimplin-Evangelidis, Valerie (Author)
Format: Electronic Article
Language:English
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Published: Sixteenth Century Journal Publishers, Inc. 1990
In: The sixteenth century journal
Year: 1990, Volume: 21, Issue: 4, Pages: 607-644
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Summary:A cosmological interpretation of Michelangelo's Last Judgment proposes new sources for the circular design of the fresco around a central Apollonian Sun-Christ. These are dependent upon the common ground shared between the Catholic Reformation revival of the traditional Christian analogy between the Deity and the Sun, the Neoplatonic cult of Sun-symbolism, literary sources in Dante, and the actual scientific theory of heliocentricity as developed by Copernicus. A new biblical source for the fresco is suggested that lends weight to the central theme of the hypothesis.
ISSN:2326-0726
Contains:Enthalten in: The sixteenth century journal
Persistent identifiers:DOI: 10.2307/2542189