The Poeisis of the Ordinary Being; a Cosmic Liturgy
Marie Noël, a 20th century poetess from Auxerre in the Burgundy region of France, said “The Saint offers sacrifice. The Artist furnishes the victim.” The quest to understand the far-reaching root system of the liturgy inevitably brings us into contact with the artist, and with all the words, colors...
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| Tipo de documento: | Recurso Electrónico Artigo |
| Idioma: | Inglês |
| Verificar disponibilidade: | HBZ Gateway |
| Journals Online & Print: | Carregar...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publicado em: |
Sage Publishing
2022
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| Em: |
Studia liturgica
Ano: 2022, Volume: 52, Número: 1, Páginas: 52-64 |
| (Cadeias de) Palavra- chave padrão: | B
Noël, Marie 1883-1967
/ Espiritualidade
/ Lírica
/ Igreja católica
/ Liturgia
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| Classificações IxTheo: | CB Existência cristã CD Cristianismo ; Cultura KAH Idade Moderna KAJ Época contemporânea KDB Igreja católica RC Liturgia |
| Outras palavras-chave: | B
Ordinary
B Marie Noël B Liturgy B Material B Poetry B Offering |
| Acesso em linha: |
Volltext (lizenzpflichtig) |
| Resumo: | Marie Noël, a 20th century poetess from Auxerre in the Burgundy region of France, said “The Saint offers sacrifice. The Artist furnishes the victim.” The quest to understand the far-reaching root system of the liturgy inevitably brings us into contact with the artist, and with all the words, colors and heavy stuff of the world that shape the artist’s work. It is the artist who harvests from deep within the human person the wheat, the dew and the lees of the world, to bring them in offering. Whether or not humanity is conscious of this ascensional mission of the liturgy, human beings must remain open above all to what the ministry of the artist reveals about their universal mission. It is in the words of the poet and in the flesh-encrusted canvases that the ascent begins, that the momentum builds, and so makes possible the eminently human activity which is liturgy. |
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| ISSN: | 2517-4797 |
| Obras secundárias: | Enthalten in: Studia liturgica
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| Persistent identifiers: | DOI: 10.1177/00393207221081304 |