Winged Words and Wounded Voices: Geoffrey Hartman on Midrash and Testimony
Geoffrey Hartman’s distinctive contribution to Jewish Studies encompasses two separate spheres—a reflection on testimony, poetry, and culture after the Holocaust, as well as an exploration of the Jewish textual tradition, more particularly Midrashic commentary. While seemingly unrelated, Hartman’s w...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Penn Press
2013
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In: |
The Jewish quarterly review
Year: 2013, Volume: 103, Issue: 2, Pages: 133-140 |
Online Access: |
Volltext (JSTOR) Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
Summary: | Geoffrey Hartman’s distinctive contribution to Jewish Studies encompasses two separate spheres—a reflection on testimony, poetry, and culture after the Holocaust, as well as an exploration of the Jewish textual tradition, more particularly Midrashic commentary. While seemingly unrelated, Hartman’s writings in the two domains display striking similarities. Both bodies of texts are informed by a tension between two forces: on the one hand an attraction towards an unnamable absolute that eludes representation, disrupts the quotidian, and escapes human grasp, and on the other a humanizing impulse turned towards the unintelligible, the moderate, and the concrete that embraces the impure diversity of everyday life. A reconstruction of the oscillation between these two poles in Hartman’s “Jewish” writings will focus on the intersection between his idea of Judaism and the role of literature and commentary in invoking an intellectual, aesthetic, and ethical intensity without succumbing to the totalizing dangers of the ecstatic and the sublime. |
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ISSN: | 1553-0604 |
Contains: | Enthalten in: The Jewish quarterly review
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Persistent identifiers: | DOI: 10.1353/jqr.2013.0016 |