Karaite "Piyyuṭ" in Southeastern Europe
From a study of the works of some thirty-five Karaite liturgical poets in southeastern Europe under the Comneni, Palaiologoi, and early Ottomans, there is evidence of Karaite borrowing from Rabbanite genre, form, language, and rhetoric. Of particular interest is the considerable influence of Rabbani...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Penn Press
1992
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| In: |
The Jewish quarterly review
Year: 1992, Volume: 83, Issue: 1/2, Pages: 145-165 |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | From a study of the works of some thirty-five Karaite liturgical poets in southeastern Europe under the Comneni, Palaiologoi, and early Ottomans, there is evidence of Karaite borrowing from Rabbanite genre, form, language, and rhetoric. Of particular interest is the considerable influence of Rabbanite Neoplatonists on Karaite poets, and the occasional references to polemical issues preserved in the Karaite liturgy regarding Rabbanites, Mishawites, and Christians. |
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| ISSN: | 1553-0604 |
| Contains: | Enthalten in: The Jewish quarterly review
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| Persistent identifiers: | DOI: 10.2307/1455111 |