A Late Composition Dedicated to Nergal

This article treats a composition that was probably dedicated to Nergal, a god with a long cultic tradition in ancient Mesopotamia who was mainly related to war and death. The text was first edited by Böhl (1949; 1953: 207–216, 496–497), followed by Ebeling (1953: 116–117). Later, Seux (1976: 85–88)...

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Bibliographic Details
Main Author: Cecilia, Ludovica (Author)
Format: Electronic Article
Language:German
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Published: De Gruyter 2019
In: Altorientalische Forschungen
Year: 2019, Volume: 46, Issue: 2, Pages: 204-213
Further subjects:B Hymn
B first millennium BCE
B Neo-Babylonian grammar
B Nergal
Online Access: Presumably Free Access
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Summary:This article treats a composition that was probably dedicated to Nergal, a god with a long cultic tradition in ancient Mesopotamia who was mainly related to war and death. The text was first edited by Böhl (1949; 1953: 207–216, 496–497), followed by Ebeling (1953: 116–117). Later, Seux (1976: 85–88) and Foster (2005: 708–709) translated and commented upon it. I will present a new reading of the invocation on the tablet’s upper edge, which confirms that the tablet originated in Uruk during the Hellenistic period. Furthermore, I will discuss the many Neo-Babylonian and Late Babylonian grammatical elements of this composition. The high frequency of these elements, typical of the vernacular language, is unusual for a literary text and suggests that not only the tablet , but also the composition of the text stems from the first millennium BCE, and perhaps, just like the tablet, from Hellenistic Uruk. The purpose of this contribution is, therefore, to show through an analysis of this text, that the conservative and poetic literary language was reworked and adapted to the cultural situation of the late period in Mesopotamian literary production.
ISSN:2196-6761
Contains:Enthalten in: Altorientalische Forschungen
Persistent identifiers:DOI: 10.1515/aofo-2019-0014